RUBELLA
BALLET CONFLICT
ANNIE
ANXIETY
London Starlight
Club
SATURDAY NIGHT and the
Starlight's compact interior is crammed
full to bursting point. Trips to the bar
become expeditions of considerable
pathfinding difficulty as the room
becomes a near inpenetrable cluster of
leather. Dozens more would be punters are
locked outside.
Annie
Anxiety is the unbilled opener. Her
fierce, brain-hammering pre-recorded
backing strikes a vivid contrast with the
reggae tapes played earlier. Starting
with an inhibition-shedding assortment of
severe shrieks and screams, she appears
to become totally immersed in her
performance. She strides around,
continually on tip toes and wailing in
fearsome, demonic tongues like a being
possessed. Annie's set is a brief fifteen
minutes or so, but a short, sharp impact
is made.
Conflict
follow quickly. As they work through
their set-opening instrumental the
atmosphere tingles with expectancy like a
spark hopping down a fuse towards a stack
of TNT. Vocalist Colin appears and the
proceedings proper commence. The spark
hits home and there is a big, big bang.
To continue reading
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