ARE
YOU an international pop journalist? I
mean do you fly all over the world
interviewing people?" Taking a deep
breath and assuming a casual air, I
modestly reply that I've been dispatched
to exotic, tropical Sheffield three times
in the last six months. In the pop world
this may well be a record. Deborah's
features remain unruffled. She makes a
very good job of pretending not to be
impressed.
Deborah
Evans. The name may not cause chimes to
ring out in your memory but you will have
heard and undoubtedly not forgotten her
voice. She was the owner of that
remarkable topping to David Cunningham's
batty restructuring of pop production
that went under the banner of the Flying
Lizards. Their shake up of 'Money' was a
phenomenal ,world wide chart leaper.
Having
maintained the lowest of profiles the
possessor of this inimitable semi tuneful
singing sound has now, once again, bled
her stylised non croon onto vinyl. A
version of 'Respect' (R.E.S.P.E.C.T.) the
song written by Otis Redding and given
immortality by Aretha Franklin. Credited
to Deborah And The Puerto Ricans, the
artefact is issued through CBS and
produced by the unlikely Dennis Bovell.
To continue reading
this article and to discover many more (over 140,000 words-worth!),
purchase Mick
Sinclair’s Adjusting
the Stars: Music journalism from post-punk London.
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