COCTEAU
SIGNATURE TUNES Various
Artists
I DON'T go to wine bars
but I imagine this to be the type of
music that is played in them. That was my
first reaction to this collection from
Bill Nelson's Cocteau label as Yukihiro
Takahashi wafted up from the grooves. He
sang "my heart is in my mouth"
and it sounded like it. Yes, an affected
vocal with a rather insidiously moderne
backing.
But
happily much of 'Signatures' is not like
that opening cut. It is an album which
blossoms slowly. Man Jumping offer what
might be termed systems music for
simpletons not to imply any insult
but as an acknowledgement of their
unflustered and uncluttered ocean of
sound built from a thousand interlocking
acoustic ripples ... which laps
pleasantly about the ears.
The best
segments elsewhere have similarly
measured applications of sound, formed
into strange and strikingly individual
essays. Bill Nelson, Nelson And Jobson
(Richard), Orchestra Arcana and the Revox
Cadets all fit into this bracket.
Alas
Fiat Lux (they appear twice and I dozed
off both times!), To Heaven A Jet and
Last Man In Europe don't. They aim for
the Grand and find the grandiose, all
sounding like a bad imitation of
Foxx-period Ultravox.
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