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BLITZKREIG BOP to the 88 bus stop outside
the Kensington Hilton. And after eight
years I finally get to meet the Ramones.
Back in 1976 the Ramones were about the
only thing in the USA that wasn't boring.
They played in London and fulfilled all
the hysterical promise of 'Ramones' (an
LP). Seeing them live was like driving a
car into a wall at 100mph
continuously! After
two years of striving and starving in NYC
they crossed the sea and found a
(spiritual) home. Their impact was
phenomenal.
Joey Ramone remembers:
"That was the beginning, it was
great, historic. Playing the Roundhouse
and Dingwalls and selling out. Having all
those kids coming to our soundcheck. A
lot were to become the Clash and the Sex
Pistols and all the groups that followed.
It was great. Wild.
"Punk rock changed
the world. I feel we revolutionised rock
and roll. It was something that just
happened. I guess in the same way the
Beatles didn't know what was going to
happen, or Elvis Presley didn't know what
was going to happen. Things were getting
pretty dull then and it's getting like
that again now. All that synthesiser
stuff to me isn't rock and roll, it's
elevator music or something. I hear
better music in my elevator.
"I guess the groups I
liked best were the Buzzcocks, the
Undertones and the bands of that era.
When they all disbanded I was sorta ...
hurt. I thought they were great, even
Sham 69."
Last Christmas I heard
'Too Tough To Die' and something in me
went WOOSH! Suddenly the Ramones were
sounding as fresh and exciting and as
gutsy and energetic and as necessary and
as without seat belts as they
were over their first three albums.
Yet 'Too Tough' isn't a
throwback or even a mere return to form.
Regardless of pedigree it is a vital 1985
record. It has a real politic
(some thing significantly overlooked by
reviews in both The Guardian and Time
Out) that explodes in big chunks all over
the listener. It is vital in a realist
sense. Something that the early 'cartoon'
Ramones could never have been.
Joey Ramone opened the
hotel room door and bent down to shake my
hand. These days the Ramones are very,
very real.
Joey: "Whenever I'd
read that we were a cartoon it really
upset me. I remember doing an interview
on the phone with a guy who said 'you're
like cartoon characters'. I got really
pissed off and said 'what d'ya mean by
that?' He said that we had very definite,
distinguished personalities. So I didn't
mind. If that's what it meant."
Dee Dee: "I guess our
image paid homage to juvenile delinquency
and everybody took us for a bunch of
juvenile delinquents."
Joey: "Most bands
have no personality. There's millions of
synth bands and millions of metal bands
all spiked up like David Lee Roth. They
usually have one song which is really
catchy. To me it's a joke that these guys
are stars. These guys are horrible but
they make it in America cos America's
horrible."
Once upon a time it seemed
the Ramones all lived in Manhattan lofts,
ate junkfood, watched TV and went to
Rockaway Beach in summer.
Joey: "Well, in the
beginning I used to share a loft and eat
junkfood. I remember the early days when
we were all broke with nothing. I used to
hang out at CBGB's because it was across
the street, just to get warm. I'd rather
drink a couple of beers, I guess it's
nutritious I couldn't afford to
eat so I figured I'd go across the street
and have a couple of beers for dinner.
Things have picked up now ... "
In the British press it
was Joey the giraffe and Dee Dee the
dumb.
Dee Dee: "Yeah, and I
don't know why they did that to me but
... I don't think I'm dumb. I think I'm a
very sensitive, deep thinking person. I
have a lot of knowledge about life. I've
led a very deep and experienced life and
I've a lot of knowledge that an older man
probably wouldn't have."
Joey: "Just by
reading his lyrics how could you think he
was dumb? I think he's real articulate.
There were things that came out in the
press that I wasn't too thrilled about.
In fact, at one time I didn't wanna do
another interview with the British press
... it was sick. They'd start ripping
apart your household, your mother. It was
crazy."
Maybe the early Ramones
were just too good to be true and no one
(in Britain) could believe they really
existed! But between 'Rocket To Russia'
and the present LP they endured a trough:
various so-so producers and a tiresome
search for the hit single that would
establish them as a mainstream band in
the USA.
Fortunately (sez I) they
never found it despite record company
ploys and coloured vinyl (Joey: "
'Road to Ruin' came out on disgusting
yellow vinyl. I think I'm the only person
who got a red copy.").
Like a kid defending an
ugly pet everybody else wants to stamp
on, Joey still claims those mid-period
records were good even if, he admits,
nobody else likes them.
But now in America
hardcore has struck and the Ramones are
its natural Godfathers. 'Too Tough' is
essential Ramones and essential hardcore.
The sound is tough, the vision is bleak.
Dee Dee: "We wanted
to make a real Ramones record and
recapture us. America is a pretty bleak
place, there's no hope really. When we
started out writing about politics and
stuff all of a sudden it was 'hey, the
Ramones preaching left-wing propaganda'.
But that's how we felt. We wanted to show
we had feelings. We've gotten serious
with this album."
Joey: "These lyrics
represent us whereas most bands just
don't care anymore. There aren't that
many that you can really respect. In the
60s I looked up to Pete Townshend and
John Lennon, even people that fooled me a
bit. I thought they might be more real
than they were ... like Alice Cooper.
When I first got into him in '72 I
thought 'this guy is really sick!' Then I
found out he was straight and I was real
disgusted and upset. I thought the guy
was a real sick necrophiliac and that was
great HA! HA! There really aren't many
people you can really believe in, they're
either dead or don't exist anymore or
else they've gotten commercial.
"I feel our product,
even though we might have got a little
side tracked, is now back on course. It's
the perfect album. Very diverse and yet
very intense. I think it just reflects
the state of the world right now. A lot
of tracks touch on the political side
like 'Planet Earth 1988' that
song, hey Dee Dee remember when you
played it to me on that piano thing? I
thought it was great. Every word
perfectly stated."
Dee Dee: "It's very
flattering to be the top hardcore band in
the world but we're not a trend. We're
the perfect band for hardcore kids to
dance to but they make fun of the old
rock and roll of the 50s and 60s whereas
we have allegiances to that rock. We
really like Buddy Holly."
Joey: "If you take
all that old stuff and '76 punk rock
there is so much similarity. For a while
back then I wanted to do 'Peggy Sue'. I
think it's great, I can hear John's
guitar in there. Er, John's our guitar
player."
Dee Dee: "And
everybody copied his style."
Joey: "But that early
stuff is great, Purity, the real thing.
That's rock music simple, basic and
exciting."
Dee Dee: "People have
created images of what we're supposed to
be like, they didn't give our
personalities a chance. Everybody thinks
that the Ramones go on stage smashed out
of their heads but we don't even get high
before we go on."
Joey: "I don't mind
them thinking we're out of our minds but
we're real, we're us. We're gen-u-ine."
Dee Dee: "We could
never be phoneys. The only thing we have
to maintain is our dignity. In the future
I'd like to write for other people and
stuff but I don't want to put pressure on
myself. I've already done everything now
and I have to live the rest of my years
as easy as I can. I hope I never have to
get a job!"
The best group in the
world.
Again.
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