I
MET MY FIRST Karelian on a flight between
London and Helsinki. Occupying the seat
next to mine, she fidgeted noisily with
her seatbelt and it fast became clear
that her real desire was to enrich the
three-hour journey by singing and dancing
in the aisle. Thwarted by an able flight
attendant she contented herself with much
arm-flailing and general bonhomie. Leaning
my way as if to whisper, she declared in
a LOUD VOICE that she was Karelian. This
at the time meant little to me, but
seemed to explain everything to the
surrounding Finns who promptly lost
interest in the simmering commotion and
slid back behind their Helsingin
Sanomats.
Later I found out the
admission did explain everything.
Karelians are commonly considered the
most vivacious people in a Finnish nation
whose other inhabitants are generally
(and rightly) regarded as taciturn.
Karelia is barely known in
the West, probably because it no longer
exists as a country but is a region split
almost equally between Finland and the
Soviet Union. It's a long-disputed
territory and the border has been shifted
westwards on several occasions since the
era when Finland belonged to Sweden and
Karelian peasants found their homelands
the main battleground in the
Swedish/Russian conflicts.
The most recent change,
after World War II (Russian presence in
Karelia was a prime cause of non-Nazi
Finland entering the war on the German
side), saw the entire eastern section of
Karelia being ceded to the Soviet Union
and its population fleeing almost en
masse behind the new Finnish border.
Enforced by holiday
brochure pics, the appeal of Finnish
Karelia to the casual tourist is nature.
It has loads of nature. In the south are
vast lakes ringed by equally vast forests
which become swooping gorges, dashing
rivers and eventually sparse
uncompromising fells further north. Save
for a few bona-fide towns, the Finnish
side has innumerable but widely scattered
villages; people are often outnumbered by
the wandering herds of those reindeer
who've yet to die from Chernobyl fallout.
During a calm period, my
flight companion recalled being carried
as a babe-in-arms during the last
evacuation and went on to unfurl a
cultural history of the place which was
remarkable not least because it
came from someone who, by her own
admission, came to London twice a year
just to go dancing at Hammersmith Palais.
Around the turn of the
century (when Finland, as a Russian Grand
Duchy, was suffering under the Tsar) the
preservation of Karelian culture became a
crucial aspect of the Finnish nationalist
movement. 'Karelianism' featured
prominently in the arts of the time, the
rural landscape and 'honest' peasant life
of the Karelian people being elevated to
mystical levels.
A doctor, Elias Lönnrot,
had earlier travelled through Karelia
collecting the folktales which became the
Kalevala and formed the literary backbone
of Finnish culture, and composer Sibelius
penned one of the world's more instantly
recognisable pieces of music in his
'Karelian Overture'.
The architects who shaped
modem Finland and became influential
throughout the world, among them Eliel
Saarinen and later Alvar Aalto, took
inspiration from Karelian buildings in
which everything, including the furniture
and decorations, was made of wood with
nothing as vulgar as a nail holding it
all together.
Not a bad track record for
a place I'd never heard of before. The
everyday legacy of Karelianism in Finland
is more downbeat but still obvious. For a
start(er), there are the ubiquitous
karjalan piirakka, ,oval-shaped Karelian
pastries containing a gluey mix of rice
and potato (delicious hot, disgusting
cold), a moreish joy amid a national
cuisine which, loosely summarised, is
beef stew and cabbage with everything.
And then there are the
excitingly weird 'dance restaurants'
found in every Finnish town and for many
decades the chief meeting point for
strangers of opposite sex. The oddest
aspect of these places apart from
the heroic length of the sideburns found
on the men is the gloomy nature of
the house music. Live bands crank out
melancholic Karelian waltzes, often
fronted by a singer wailing woefully of
the great lost lands in the east,
Finland's minor place in the world, and
the general sadness of life. It's great
stuff, but an odd soundtrack to romance.
A primary difference
between thoroughly Finnish Finns and
those of Karelian stock is religion.
Characteristically, Karelian Orthodoxy is
an altogether more glittering affair than
the austere Lutheranism to which 90 per
cent of Finns subscribe.
During the summer it's
quite possible to find Orthodox festivals
being celebrated in the open air, while
dropping into any Orthodox church will
leave you smitten by the rich
paraphernalia of the creed.
Uspenski Cathedral in
Helsinki even has tapes of soft-voiced
Slavonic choirs mingling with the incense
whilst the Orthodox Church Museum in
Kuopio is a gathering of treasures of the
faith; centuries-old gold-embossed
bibles, elaborate icons, and much more.
The exhibits were rushed out of eastern
Karelia ahead of the advancing Soviet
troops in I944, stuffed into tanks and
armoured cars.
Soviet Karelia is not
off-limits to Westemers but often seems
like it, being infuriatingly difficult to
reach despite its proximity. The
administrative centre of Petrozavodsk can
only be reached with an Intourist trip
from Leningrad.
When Leningrad was still
St Petersburg its inhabitants referred to
Petrozavodsk as
'Siberia-near-the-capital', on account of
its use as a place of exile for minor
criminals. Even today Petrozavodsk's
pleasures aren't very obvious. A
manufacturing city of grim modem
structures, its old wooden buildings were
destroyed during the war.
But just over an hour from
Petrozavodsk, by hydrofoil across Lake
Onega, is the island of Kizhi. The old
stuff is all here and caringly preserved.
A feast (at least, twelve examples) of
Karelian buildings, from threshing barns
and a watermill to the near-hypnotic
ascending curvy domes of the
Preobrazhenskaya Church. It makes St
Basil's in Moscow so one informed
opinion went look like an
over-sized pissoir.
Crossing directly into
Soviet Karelia from Finland is likely to
become possible this year, largely
through the efforts of Kuhmon
Kulttuurikornitsa (roughly, a Karelian
culture centre) which is based in Kuhmo,
in Finland, and intent on promoting the
notion of Karelia as a region regardless
of the national and ideological
boundaries imposed upon it.
Their modest office,
tagged on to back of the local fire
station, is lined multi-language editons
of the Kalevala and in it I was treated
to an eyeful of drawings of an all-wood
Karelian Village which is under
construction nearby. intention is to
stage Karelian-flavoured art events in
the village and develop an exchange
programme with a similar place being
built in the Soviet portion of the
region, close to the new Soviet city
Kostamus. One effect of the scheme been
to ease restrictions on the local border
crossing at Vartius.
If the idea of modern
people as Karelian peasants, prancing
around fields and reciting ancient
poetry, strikes you as somewhat twee,
feel free to the matter up with a
foreign-looking middle-aged blonde who
might be found high-kicking at
Hammersmith Palais.
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